Showing posts with label Basil Wolverton. Show all posts
Showing posts with label Basil Wolverton. Show all posts

Monday, November 25, 2024

COPS OF FUTURE PASSED

 

Here's some Blu-ray cover art I did a couple years ago that I was starting to think might never get released. This title faced an extended delay as the distributor tried, ultimately in vain, to get a new higher quality HD scan of the original film elements. After two years, they finally decided to go ahead and do a very limited release of this 1993 goofy Wong Jing action comedy, FUTURE COPS. On the bright side, at least now there's an acceptible (if maybe not spectacular) HD version out there for fans. Yes, there ARE fans of this film. It's a bit broad for me personally. (And I often like broad humor.) And the cast is top tier. But for me, it just doesn't quite gel as a whole.

My brief from the client was to NOT raise the attention of CAPCOM's lawyers. The film has characters obviously inspired by the popular Japanese video game franchise, yet not officially licensed by CAPCOM. So my art should also not resemble the video game fighters too closely. The only "video game" reference is the old CRT monitor showing nothing but, appropriately enough, static. (Anybody else have a strange nostalgia for "tv screen snow"?) And the 8-bit font of the director's name. I leaned more into an anime style. It was a gamble, but the movie is a goofy mess, so I figured the art could be too. 

Actually this style of illustration more closely matches my normal, "comfort-zone" style (minus the manga-ish faces, which obviously is not my thing), than the painterly stuff I feel is expected of me for movie posters. As a young child I was heavily influenced by the artwork found in 60s-70s MAD Magazine. Early exposure to the work of Don Martin, Basil Wolverton, Jack Davis, Antonio Prohias and Sergio Aragonés boiled my brain, and certainly inspired my burgeoning imagination.

Side note: Recently, I was super lucky to catch the wonderful exhibition of original MAD MAGAZINE art and memorabilia at the Norman Rockwell Museum of Illustration located in his hometown of Stockbridge, Massachusetts. The Rockwell stuff was great, of course, but man, feast your eyes on that Wally Wood original?! Glorious!

Anyway, I gave each character a background color matching their costume, bursting forth from manga panels with action lines, halftones and whatever else. Hopefully you get the idea, without it really looking like typical Street Fighter art at all. Mission... accomplished?


For the inside inlay I did another piece just for variety. I wasn't sure how much anyone would care for the cover art since it was a bit different. But I guess if you hate the cover, you'll hate the inside image too, since they intentionally share a common style. 

Surprisingly the film distributor included a double-sided poster with this release featuring BOTH art pieces. Yikes!


Next up... Would you believe... we put on our X-Rays specs, our tiny hidden cameras and our shoe phones (well maybe not the shoe phones, Chief) as we delve into the stylishly super groovy mid-sixties SPY MOVIE CRAZE.... via Hong Kong, no less.

Sunday, March 31, 2013

Plop Art Pop Art: The Beauty of Ugly



PLOP! "The New Magazine of Weird Humor!" was a 24 issue "anthology comic" magazine, published bi-monthly from Sept./Oct. 1973 to Nov./Dec.1976. Boasting many of the talented artists from the early years of the satirical counter-culture rag MAD Magazine, PLOP! delivered gruesome yet comic morality tales (usually "hosted" by a cast of three reoccurring characters, Cain, Abel and Eve) illustrated in typical offbeat fashion (from the pen of master cartoonist Sergio Aragonés). 

A Wolverton classic based upon his even uglier Lena the Hyena
As a juvenile at the time, I was attracted to it's grotesquely zany cover art of exaggerated anatomy by the uniquely inventive and free-flowing artist Basil Wolverton and the brilliantly versatile but deeply troubled Wallace Wood. This work represents both veteran artists near the end of their lives. Looking back I can see how these outlandish characters influenced my early free-form doodles and "just for fun" illustrations. In fact my school notebooks looked like leftover PLOP! cover concept galleries.  

Wolverton, referred to as the 'Michelangelo of MAD' by The New York Times, had a trademark "crossed-hatched rubber-hosed bug-eyed" style and was very fond of grotesque portraiture. You may have seen his famous cover for the May 1954 issue of MAD Magazine, parodying Life Magazine's "Beautiful Girl of the Month" issues. (Image at right) Yep, she sure is sumfin.

Wood had a more refined and varied style, illustrating everything from Atlas and Marvel comics (Daredevil, Dr. Doom), children's picture books, record album covers, Mars Attacks trading cards, product packaging, as well as writing and drawing syndicated comic strips. 

He's also well known for his edgy satirical work. He illustrated a few risqué titles which featured parodies of Disney characters shown engaging in "unexpected situations". Sadly, Wallace later took his own life. 

So welcome to this long overdue "virtual retrospective" of the PLOP! ART of Basil Wolverton and Wally Wood. You are more likely to find their work hanging on some college dorm room wall, than in the Louvre or the Smithsonian. And something tells me that's just how these guys would've prefered it. Admission here is always free, but if you should feel like offering a contribution... we only accept your comments. Your money is no good here. Enjoy!  

Art Arteries by Basil Wolverton

Roarin' Rodney Roadrunner by Wally Wood

Messy Tessie and Darlin' Daisy Dallyrimple by Basil Wolverton

Untitled by Basil Wolverton

Famous Four Eyes "Bo" Garth by Wally Wood
Josephine by Basil Wolverton (an obvious satire of those controversial 1971 ads for National Airlines)

Feets Fleagle by Basil Wolverton

Untitled  by Wally Wood


Nooly Nostrildamus by Basil Wolverton
"Arms" Armstrong by Basil Wolverton

"Smokin' Sanford" by Wally Wood
Billy Button by Basil Wolverton
Ashur, Crasher and Basher by Basil Wolverton


"Multiple Mouth McCardy" by Wally Wood



Alfred Adamsapple and Snapper Snodgrass by Basil Wolverton
As far as I know this one is untitled, but I like to call it Blobby McGee

Byron Bigbrain III by Basil Wolverton

Basil Wolverton has such an interesting catalog of work... I'll highlight more of his fun stuff in a future post.